Abigail Hampsey - Gold top

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Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
  • Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
  • Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
  • Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
  • Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
  • Collection of Abigail Hampsey - Gold top - Fine art at Liminal Gallery in a gallery layout
Abigail Hampsey - Gold top
£2,950.00

2025

Oil on Canvas

132 x 80cm

ABOUT

This artwork was exhibited in Entangled, a group exhibition at Saatchi Gallery, London, which ran from 29 March to 11 May 2025. You can still explore the show, including installation images and information about the participating artists and artworks, via our Online Viewing Room here.

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About the artist

Abigail Hampsey is a working-class painter from Lancashire, UK. Her work explores landscapes of memory, loss, and rural traditions through painting, sculpture, and poetry. She has exhibited widely in the UK and is a member of the Contemporary British Painting Collective.

About the artwork

In Gold top, Abigail Hampsey positions the Jersey cow, a producer of rich, gold top milk, as a potent symbol of rural identity. She draws on the myth of an urban child unaware that milk comes from animals, to highlight the disconnect between city and countryside.
The work’s vivid palette, informed by Hampsey’s early mornings as a London baker during her MA studies, mirrors the surreal glow of pre-dawn urban life while celebrating the intense, often-overlooked vibrancy of the natural world. Through this convergence of lived experience, folklore, and saturated colour, the painting invites a re-evaluation of how rural life is perceived, remembered, and mythologised.

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