THE FORT HILL ANOMALY

Liminal Gallery presents The Fort Hill Anomaly, a digital animation by Dana Fox, unfolding within The Cupboard — a confined space where a new temporal rift has emerged. This fissure, named and transcribed by the artist’s ongoing project dyzlocation, introduces a spatial and temporal disturbance that resists categorisation.

The three-minute moving image work draws on 3D scans of local areas, digitally reconstructed and altered. Through processes of repetition, fragmentation, and dissolution, the original environments are displaced and reconfigured. The work suggests an immersive descent through stratified layers of perception, where distinctions between memory, place, and time begin to blur.

As the visual field unravels, The Fort Hill Anomaly references the erosion of fixed structures — physical, psychological, and ideological.

The work engages with shifting terrains, from urban redevelopment to personal and collective identity, and from political frameworks to spiritual systems.

dyzlocation, initiated by Fox, is an ongoing research-led project investigating temporal anomalies across science, art, and culture within the context of the Anthropocene. The archive takes the form of speculative documentation, including field notes, articles, and chronometric recordings.

The Fort Hill Anomaly invites consideration of the unstable architectures of contemporary life — and the forces that distort, dissolve, and reconstitute what we take to be real.